善宇(李秉宪 饰)对黑帮老大姜老板忠心耿耿,做事认真妥当的他也深得姜老板的信任与厚爱。姜老板更将自己的餐厅交给了善宇打理。姜老板出名无情冷酷,谁都不能破坏他定下的规矩。最近他感觉到自己的情人熙秀(申敏儿 饰)可能有了别的男人,姜老板便把心腹善宇安排在了熙秀的身边,当查明熙秀红杏出墙时,善宇便将熙秀处死。果不其然,善宇发现熙秀真的另有情人,但善宇竟然放走了他们…
故事改编自真实事件,揭露隐藏在新闻背后、鲜为人知的残疾院舍真相。新闻社接获一宗有关残疾院舍“彩桥之家”虐待院友的线报,侦查小组为揭露残疾院舍监管问题,记者晓琪(余香凝 饰)潜入院舍,揭发内里的非人道生活,寻找日光之下的残酷真相。
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《乐园》讲述了结束了十年戒毒所生活的女子,来到了被称为“女性的乐园”的小岛上,打破了岛上原有的平静生活,自己也找到了真正的自由。池珍熙在剧中饰演在岛上的小学教书的老师日浩,当陌生女子美静(金荷娜饰)来到岛上之后,就给予她很多帮助并彼此相爱。
一位建筑师花费3年寻遍欧洲,找不到离去的美丽爱人,只好隐居在海滨小城,教育问题学生远离犯罪人生,此时一位8岁的男孩出现在门外,竟是他与旧爱的儿子,这迫使美丽爱人与建筑师的重逢,但美丽旧爱的丈夫也随行,这会是分手的三角恋情,或是再续浪漫前缘呢
这是一部以著名的摄影师埃德沃德·迈布里奇为中心的心理剧,他拍摄了裸体和畸形的物体,成为电影教父。他谋杀了妻子的情人,是最后一个被判有正当杀人罪名的美国人。
小女孩拉克希米,梦想在全国舞蹈比赛中,赢得“印度之傲”的称号。而背后,则有父母的恩怨情仇,和对手及设置迷魂阵的电视台搅局……
1982年,英国。一位年轻有抱负的日英混血作家准备书写其母亲——1952年,英国。战后移英的日本妇人悦子,因长女自杀而忆起在长崎的最后一段时光。悦子与妇人幸子相遇,幸子也准备和女儿出国,对新生活翘首以待。然而,作家在拼凑线索及母亲的记忆碎片时,渐渐发现母亲的记忆与现实相左.…..石川庆改编诺贝尔文学奖得主石黑一雄早年同名原著,双线刻划战后女性挣扎求存之境,表面平静实质波澜不休,折射出大时代下压抑而沉重的集体记忆与痛苦。
六岁的男孩折民民在一次意外中,失去了双腿,折民民母亲也因为过度悲痛,在去医院的路上从悬崖掉落,失去了生命。父亲折保军付出了常人难以想象的艰辛将残疾的儿子抚养长大,不料因常年操劳,自己却得了绝症。为了不影响儿子,折保军只能隐瞒病情,在有限的时间里尽量为儿子铺好以后的路。不成想折民民其实早已知道父亲病情。一个残疾、内心被现实打击得千疮百孔的儿子;一个年迈、身体被病痛折磨得油尽灯枯的父亲,在最后的日子里,父子二人相依为命,获得了彼此的救赎,留下了人世间最真挚的爱的印痕。
美墨边境题材剧集《#郊狼# Coyote》发布预告,宣布移至CBS All Access,2021年1月7日上线。而CBSAA明年初又会改名为Paramount+。 这部6集剧之前Paramount Network开发。由David Graziano、Michael Carnes及Josh Gilbert执笔的剧集《郊狼》聚焦在美墨边境,讲述当了32年美国边防警卫队探员的Ben Clemens(Michael Chiklis饰)过去一直为美国抓捕墨西哥偷渡者。现在他被迫为对面的人效劳,但当主角正式待在边境的另一边后,他发现自己非黑即白的观点,以及原本的忠诚都被慢慢动摇起来。
三十年代的浙江农村,每到清明时节,家家户户开始养蚕。蚕农老通宝(肖英 饰)借来高利贷买桑叶喂蚕,他非常迷信养蚕的各种禁忌。大儿子阿四(龚家农 饰)生性忠厚。小儿子多多头(郑小秋 饰)却让人不省心,他经常和根生(王徽信 饰)的老婆荷花(艾霞 饰)耍笑,而老通宝认为荷花就是不吉利的人物。她以前做过大户人家丫头,村里人都瞧不起她,而多多头不顾家人和村里人的冷眼,仍愿意和见过世面的荷花在一起。为了报复老通宝,她故意跑进老通宝的蚕房里去“冲克”蚕宝宝。老通宝知道后,心想,这下完了,等着破产吧。但奇怪的是,这一年他家的蚕茧获得了丰收,老通宝百思不得其解,“禁忌”怎么不灵了……
Marg Duffield (Lee Remick) is the Maine wife of Al (Joseph Sommer) whose daughter Peg (Marlee Matlin) is deaf. Peg's husband is killed in a car accident on the way to visit the Maine house, and the Duffield's take in Peg's six year old daughter, Lisa, while Peg recovers. Since Lisa is a speaking child, Marg thinks of her the way she wanted Peg to be, and seeks guardian custody. Remick's role is secondary to Matlin's, though she is presented as a tragic figure, particularly as Al refuses to help her plan to gain Lisa. Peg's deafness is said to be from a childhood case of spinal meningitis, and the teleplay by Louisa Burns-Bisogno, with story by Louisa and Tom Bisogno, reduces Remick to a textbook mother who is self-hating from guilt and therefore cannot love her own daughter. In a memorable scene, Peg angrily signs her exit to Marg, since Marg has refused to learn sign language, though Peg has learned to speak for her mother. The treatment uses the Tennesee Williams play, The Glass Menagerie, for therapy, to help Peg overcome her grief and also Marg `lose her unicorn horn' and embrace her daughter. Whilst Peg choosing to act in this play may seem an odd choice for someone grieving, what is more noticable is that Matlin is far too more glamourous to be believable as Laura. The Bisogno's include Michael O'Keefe as Dan, Peg's deceased husband's best friend and director of Actors Theatre for the Deaf, to offer Peg a new romantic interest, and thankfully she rebukes his protestations of love. Although his opinion may be influenced by his `crush', Dan tells Peg that being different is better than being normal, since the normal ones are as `common as weeds'. This philosophy reads as rather Nietzschean, on the level of artists not being restricted to the common moral code. Director Karen Arthur either has those signing also speaking or those signing being translated for the audience, though in one scene the sound of lapping waves drowns out the dialogue between Dan and Peg. She also gives Matlin some good moments, one being her scream of horror when she hears the news of the death of her husband, and another when she chases Remick down a flight of steps, hitting her.